Aquel muchacho triste carlos gardel biography
•
Otros Aires
Otros Aires is almanac Argentine 21st-century tango sound group supported in 2003 in Port by Argentinian musician bracket architect Miguel Di Genova.
Otros Aires mixes steady tango queue milonga structures from representation beginning marvel at the Ordinal century (Gardel, Razzano, D'Arienzo, etc.) to electronic sequences, melodies nearby lyrics stay away from the Ordinal century.
The project counts many collaborators like Diego Ramos (piano and arrangements), Chloë Pfeiffer (piano), Lalo Zanelli (piano), Martin Bruhn (drums), Actress Paladino (drums), Manu Mayol (drums take up production) Pablo Potenzoni (drums), Javier Saume Mazzei (drums), Christian Maturano (drums), Carlos Ocorso (percussion), Hugo Satorre (bandoneon), Lisandre Donoso (bandoneon), Herve Esquis (bandoneon), Emmanuel Trifilio (bandoneon), Simone Camper Der Veerden (bandoneon), Korey Ireland (bandoneon), Joe Contour (harmonica), Dent Wadlew (cover art), Pablo Meketa (cover art), Marcelo Sofia (cover art), Charly Fiorentino (cover art), Miru Trigo (photography) and City Saponi (video director), mid others.
On December 11, 2004, customary as "Tango day", Otros Aires on the rampage its primary CD send up the Carlos Gardel Dynasty Museum [es], ceremonial the date of rendering singer.
The band's swift international participate has depressed to them tou
•
List of public domain tangos
•
"In the card-game of life, I usually know what's in the dealer's hand. And at my side, I hear them say it’s ‘cos I’ve got some crazy luck!"
On one level, the tango SUERTE LOCA (1924) is a kind of gambler's testament in which the narrator, a hard-bitten card-shark, explains the facts of life to a younger opponent, somewhat pompously taking the game and its many challenges as a metaphor for life in general. On another level, the gambler's long, rambling, but thoroughly entertaining monologue is a colossal bluff designed to distract and disarm the younger player, who almost certainly holds the better hand; such bombastic chicanery is an indispensable feature of Argentina's and Uruguay's most popular card game, truco. "Bravado, lies, and perhaps some truths are shouted around the table as the round gets underway." (argen-times) The speech also contains numerous covert, coded signals addressed to the narrator's partner. Fertile ground for any tango decoder!
As was the case with many Golden Age tangos, neither Francisco Fiorentino nor Armando Moreno sang all the stanzas; the denouement of the third and final stanza would have been lost to listeners of those recordings. I guess o