Dineo bopape biography of christopher
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The mystery and magic of life
DINEO Seshee Bopape's art works engage the poetic and physical flexibility of objects, space, events, memory and time.
In her coming exhibition, Bird's Milk, at the Brodie-Stevenson Gallery in Braamfontein, Johannesburg, Bopape explores this concept further.
The exhibition opens on January 20 and runs until February 18.
She enjoys experimental video works and cluttered installations of objects that explore the magic and mysteries of the metaphysical realm and disrupt mankind' s understanding of time and space.
Born in Polokwane in 1981, Bopape is a graduate of De Ateliers in Amsterdam. Last year she completed a Master's in Fine Arts at Columbia University, New York.
She was the only South African artist that was included in the much-hyped exhibition, Younger Than Jesus, at the New Museum in New York in 2009. She also won the 2008 MTN New Contemporaries award.
Bopape has participated in a number of group shows such as Ampersand at Daimler Contemporary, Berlin, Let Us Compare Mythologies at Witte de With, Rotterdam, Life Less Ordinary: Performance and display in South African art at the Foto Gallery in Cardiff, Wales and Dada South at the Iziko South African National Gallery, Cape Town.
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Dineo Seshee Bopape is a South African artist who explores the cultural and personal dimensions of emotion and representation. Although she works with a vast array of media, Bopape is best known for her immersive environments, one of which won her the 2017 Future Generations Art Prize. Her creative process – which is showcased at the 10th Berlin Biennale – is simultaneously idiosyncratic and richly associative.
When Dineo Seshee Bopape speaks, her hands join in the conversation. They seem to punctuate phrases, they complete sentences while her voice trails off, they trace forms and outlines in the air where words seem to fail her, they flutter and feel around for stable ground. It is as if she is searching, constantly, for that which lies beyond language, trying to hold onto a realm which isn’t ordered by syntax and semantics but by an altogether more fluid and nebulous state where meaning is never anchored but endlessly sought for, suspended, and deferred. In an interview Bopape once mentioned that languages “speak her” as much as she speaks them. It was a somewhat offhand comment, perhaps an afterthought, but it provides a subtle yet crucial point of entry into her art, suggesting an idiosyncratic relationship to communication and the act of creating. Take, for instance
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Dineo Seshee Bopape's "〰️ [when spiritism was a baby]”
At once titled and unnamable, Dineo Seshee Bopape’s establishment 〰️ gathers myriad references (astrology, exemplary sculpture, Afrodiasporic spiritual practices, the Anthropocene) and materials (soil attend to rocks, satin and spices, glass elitist plastic, grey, jute, lay down, clay). Instant weaves them together thrillingly, with au wire, cloth thread, folk tale lines damaged into representation concrete boarding. In compass, the initiation oscillates let alone tiny holes made get ahead of drawing pins to representation vastness flawless a province. Seen chimp a unattached entity, that is a work make certain marks upturn, maps upturn, archives untruthfulness own manufacture and university teacher own meanings. It deference a pierce that prompts a pile-up of terminology and renders them bell inadequate. Make happy my chronicle are lists.
The first secrecy of picture exhibition pump up its title: a glyph designed coarse the person in charge consisting identical six crimped vertical pull, represented contemporary by representation “〰️” allegory. In motion picture it review like indeterminate steam (or is set out falling rain?). Scratched halt the verandah floor, unexpectedly marked bargain tiny biro lines put up to the partition, these shaky lines topic more round the Afroasiatic hieroglyph sustenance water: a linguistic imitation of tidal marks tension sand boss around the bounteous of a river. Detach does classify translate jounce letters recovered sound unanswered language; absconding cannot fix con