Hans von aachen biography definition
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Hans von Aachen
For the German circumnavigator, see Maestre Anes.
German painter (1552–1615)
Hans von Aachen[1] (1552 – 4 March 1615)[2] was a German painter who was one of the leading representatives of Northern Mannerism.
Hans von Aachen was a versatile and productive artist who worked in many genres. He was successful as a painter of princely and aristocratic portraits, and further painted religious, mythological and allegorical subjects. Known for his skill in the depiction of nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron, Emperor Rudolf II.[3] These remain the works for which he is best known. He also painted a number of genre paintings of small groups of figures shown from the chest upwards, laughing, often apparently using himself and his wife as models. Von Aachen usually worked on a small scale and many of his works are cabinet paintings on copper.[4]
The life and work of Hans von Aachen bear unique witness to the cultural transfer between North, South and Central Europe in the late 16th and early 17th centuries.[5] After training in the tradition of Netherlandish Renaissance painting the artist moved to Italy in 1574, where he remained for about 14 years, mainl
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Aachen, Hans von
Hans von Aachen (1552 Cologne – 1615 Prague)
Two Laughing Men (Self-portrait), Before 1574
oil, oak wood; 48×38.5 cm, acquired 1673, Olomouc Archbishopric – Archdiocesan Museum engage Kroměříž, Take as read 3177, O 288
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- PROVENANCE
- LITERATURE
- EXHIBITIONS
- DESCRIPTION
PROVENANCE
Collection of Francis Astley-Corbett, 4th Baronet [1859-1939], Elsham Hall, Lincolnshire; his sale, Christie, Manson & Woods, London, 8 July 1927, lot 103 (as Andrea Schiavone; 44 x 34½ in (111.8 x 87.6 cm), sold for £78.15.0 [75 guineas] to the dealer Frank Sabin; Paris, private collection; Venice, with Ettore Viancini; 1975, private collection.
LITERATURE
SELECTED LITERATURE
-Joachim Jacoby, Hans von Aachen 1552-1615, Berlin, 2000, pp. 16-17, fig. I, pp. 203-205, no. 61 (with earlier literature);
-Bernard Aikema, in Hans von Aachen 1552-1615. Court artist in Europe, exh. cat. ed. by Thomas Fusenig (Aachen, Suermondt-Ludwig-Museum, 11 March – 1 June 2010; Prague, Císařská konírna, 1 July – 3 October 2010; Vienna, Kunsthistorisches Museum, 19 October 2010 – 9 January 2011), pp. 85, 89, 96, and pp. 104-105, no. 6;
-Bernard Aikema, “Hans von Aachen in Italy: A Reappraisal”, in Hans von Aachen in context (symposium proceedings, Prague, 22-25 September 2010), ed. by Lubomír Konečný and Štěpán Vácha, Prague, 2012, pp. 20-21, fig. 3;
-Lothar Sickel, “Anthonis Santvoort. Ein niederländisc