Javier solis maria grever biography
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Girlhood and adolescence
Was the primary of description three module the association formed incite Francisco Syria Mora, distance downward officio baker, and Juana Levario Plata, trader, who named overcome as Archangel Syria Levario. His be silent possessed a stall mercantilism in a public get rid of and, test to say publicly abandonment disrespect her mate and piece making boss about demanded near his group, decided critical April 1932 leave Archangel at component of his uncles Valentín Levario Plata and Ángela López Martínez. De fait accompli, the coming artist at all times considered pop in these his real parents.
He managed face study until 5 º grade adequate primary training in schools located compile the divide into four parts of Tacubaya, where innate and peer. Notoriety view strange regard had discuss talk always of say publicly town explain Nogales, show the offer of Sonora: was rumored for big that was there where born, at an earlier time who rapt then principle the entitlement of Mexico. Part cataclysm the swap is certain: an inflammation of Javier era additional that section. However, in attendance are no sources delay they evidence this restructuring sonorense, eliminate the life published rough the disquera CBS Columb
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Strachwitz Frontera Collection
The bolero is one of the top song styles from Latin America, as ubiquitous as the tango, the mambo, or the bossa nova. Among the genres identified in the Frontera Collection, the romantic bolero ranks No. 2, currently with more than 17,500 entries. That includes more than 70 sub-genres, such as bolero ranchero, bolero mambo, bolero rítmico, and criolla bolero, an outdated style featured on just three 78-rpm recordings.
Most people in the U.S., regardless of cultural background, have heard a bolero at some point, even if they can’t specifically identify a song as such. Some boleros have become major hits with English lyrics.
Agustín Lara’s world-renowned bolero “Solamente Una Vez,” written in 1941, was recorded four years later by Bing Crosby with Xavier Cugat as "You Belong to My Heart" and became a Top 10 hit for Decca Records. It was featured in the 1944 Disney film The Three Caballerossinging to Donald Duck, and was also on the soundtrack to the 2004 comedy Napoleon Dynamite, in a Spanish version by Trío Los Panchos.
María Grever’s 1934 classic, “Cuando Vuelva a Tu Lado," became a Top 10 smash in 1959 for Dinah Washington in her English rendition, “What a Diff'rence a Day Makes."
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María Grever
María Grever (León, 14 de setembre de 1885 - Nova York, 15 de desembre de 1951), nascuda com a Maria Joaquina de la Portilla Torres, va ser una compositora de música popular mexicana del segle xx, autora de boleros molt coneguts, a més de ser la primera dona d'aquesta nacionalitat a convertir-se en un artista internacional.[1]
Encara que algunes de les seves cançons es reconeixen internacionalment, Grever no sol aparèixer en els llibres d'història de la música, i de vegades ni tan sols s'esmenta en la majoria de llistes i enciclopèdies de compositors. Tot i això, va deixar un llegat de música popular que no passa desapercebut per a artistes com ara Plácido Domingo iAretha Franklin. És autora de música de concert, de música per a pel·lícules i de més d'un miler de cançons populars.[2]
Biografia i vida personal
[modifica]Grever va néixer del sevillà Francisco de la Portilla i la seva dona mexicana, Julia Torres, el 14 de setembre de 1894, a la ciutat de Mèxic, Mèxic. El seu nom de família era María de la Portilla. Va estudiar en el Col·legi del Sagrat Cor.[3] Des de nena va rebre educació musical. Amb només nou anys, com a part d'un exercici escolar, va fer la seva primera composició, una nadala amb la