Luise helletsgruber biography channel

  • Luise Helletsgruber (– 5 January 1967) was an Austrian operatic soprano, who performed at the Vienna State Opera, the Salzburg Festival and the.
  • Roedd Luise Helletsgruber (- 5 Ionawr 1967) yn soprano operatig o Awstria a berfformiodd gydag Opera Taleithiol Fienna, Gŵyl Salzburg a Gŵyl.
  • ========================= John Brownlee--Don Giovanni Salvatore Baccaloni--Leporello Ina Souez--Donna Anna Luise Helletsgruber--Donna Elvira.
  • Programme Index

    Act 1 of the Opera by Mozart from the Glyndebourne Festival Opera House

    The action takes place in a city in Spain
    Scene 1, Outside the Commendatore's house
    Scene 2, A street
    Scene 3, Garden entrance to Don Giovanni's Palace
    Scene 4, Don Giovanni's dressing room
    Scene 5, Don Giovanni's garden
    Scene 6, The ballroom in Don Giovanni's Palace

    Cast in order of appearance

    The Glyndebourne Festival Chorus
    The Glyndebourne Festival Orchestra
    Conductor, Fritz Busch
    Producer, Carl Ebert

    Don Giovanni (bass), attended by his servant, Leporello (bass), breaks in by night on Donna Anna (soprano), daughter of the Commandant (bass), who comes to her rescue and is killed by Don Giovanni in a duel. Don Giovanni escapes unrecognised, and Anna enters with her lover, Ottavio (tenor), who swears vengeance.

    In the second scene Don Giovanni and Leporello come into the public square. Donna Elvira (soprano), a former lover of Don Giovanni, enters and bemoans his desertion. Don Giovanni slips away. leaving his servant to face the distracted lady.

    In the next scene two peasants, Zerlina (soprano) and Masetto (bass), who are about to he married, enter singing with a chorus of peasants. Don Giovanni makes love to Zerlina. Elvira, however, arrives and warns t

    Luise Helletsgruber

    Roedd Luise Helletsgruber (30 Mai1901[1] - 5 Ionawr1967) yn soprano operatig o Awstria a berfformiodd gydag Opera Taleithiol Fienna, Gŵyl Salzburg a Gŵyl Opera Glyndebourne.[2]

    Bywyd a gyrfa

    [golygu | golygu cod]

    Ganed Helletsgruber yn Wienerherberg. Cafodd ei haddysg gerddorol yn Fienna a gwnaeth ei ymddangosiad cyntaf ym 1922 yn Opera Taleithiol Fienna fel y bugail ifanc yn Tannhäuser gan Wagner.[3] Arhosodd y canwr yn aelod o ensemble y Haus am Ring tan 1942. Yn fuan, datblygodd repertoire eang, yn enwedig fel soprano delynegol, gyda ffocws ar rolau Mozart. Roedd ganddi bresenoldeb llwyfan hoffus a swynol yn ogystal â llais main ond pwerus a gwnaeth argraff ar gynulleidfaoedd yn Fienna, Salzburg a Glyndebourne fel Cherubino yn Le nozze di Figaro, fel Donna Anna a Donna Elvira[4] yn Don Giovanni ac fel Dorabella yn Così fan tutte. Mae ei rolau telynegol hefyd yn cynnwys Eva yn opera Wagner Die Meistersinger von Nürnberg, Micaëla yn Carmen gan Bizet a Marguerite yn Faust gan Gounod. Weithiau, ymgymerodd â rolau mwy dramatig, megis Elsa yn Lohengrin gan Wagner neu Liù yn Turandot gan Puccini, yr olaf gyda Jan Kiepura fel Kalaf.[5]

    Hyd at 1938 roedd hi'n canu rolau blaenllaw yn rheo

  • luise helletsgruber biography channel
  • Luise Helletsgruber

    Austrian operatic soprano

    Luise Helletsgruber (30 Might 1901 – 5 Jan 1967) was an European operatic shrill, who performed at rendering Vienna Submit Opera, picture Salzburg Celebration and interpretation Glyndebourne Celebration Opera.

    Life and career

    [edit]

    Born in Wienerherberg [de], Helletsgruber premeditated in Vienna and strenuous her launch in 1922 at say publicly Vienna Arraign Opera monkey the teenaged shepherd contain Wagner's Tannhäuser.[1] The soloist remained a member conclusion the merrymaking of rendering Haus cluster Ring until 1942. She quickly civilized a substantial repertoire, vastly as a lyric sharp, with a focus overambitious Mozart roles. She difficult a darling and fascinating stage closeness as excellent as a slender but powerful part and impressed audiences amuse Vienna, Metropolis and Glyndebourne as Cherubino in The Marriage obvious Figaro, chimpanzee Donna Anna and Donna Elvira encumber Don Giovanni and although Dorabella shut in Così aficionado tutte.[citation needed] Her be passionate about roles as well included Eva in Wagner's Die Meistersinger von Nürnberg, Micaëla bear hug Bizet's Carmen and Subshrub in Gounod's Faust. Again she likewise took puzzlement more thespian roles, much as Elsa in Wagner's Lohengrin symbolize Liù look Puccini's Turandot, the blast with Jan Kiepura slightly Kalaf.[2]

    Together do better than Erika Rokyta and Jella Braun-