Yoshikazu yasuhiko biography template
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This interview is from a book called GIRL&#;S GUNDAM: No Boys Allowed published in that goes over all the male characters throughout the various Gundam series, but also includes interviews with some of Gundam&#;s creators about how they tried to tailor their shows to attract more women to watch their show. Yasuhiko dives into how they tried, all the way back in the original Gundam, to accomplish this.
I&#;m still astounded by the variety of ways Gundam&#;s female viewers took the show and enjoyed it in ways I had never thought possible. We had planned out all these ideas of what would pull them in, but all that planning was completely unnecessary (laughs).
The character designs were decided one right after the other. Take Amuro Ray, for example, frizzy hair, space visible under his irises, cheerful, but simply put he wasn&#;t the handsome hero viewers had come to expect as the main character. As Tomino was thinking up his main character, I&#;d thought of a character of my own that would work perfectly in contrast to his. In short, we picked up what each other was thinking and made a snap decision. If Amuro wasn&#;t going to be a pretty boy, then why not give that role to his enemy? When we had worked together on [Brave] Raideen, even though Sharkin was the enemy, he
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The following article was originally printed in The June issue of Animage. The interview has been translated by Hyun Park© Wave Motion Cannon
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Born in December 9th, in Hokkaido, Blood type: A. Not only he is a manga artist, Yoshikazu Yasuhiko is also a director, character designer, and animator. In , he started his career as animator with Mushi Production. Afterwards, he became a freelance. As character designer, he worked on Brave Raideen, Combattler V, Zambot 3 and others. In Space Battleship Yamato, not only was Yasuhiko responsible for animation, he was also in charge of storyboard. In Mobile Suit Gundam, he worked as both animation director and character designer.
Following Mobile Suit Gundam, he worked on Crusher Joe, Giant Gorg, Arion, Venus Wars and others as a director. At end of &#;s, he left the animation industry and became a manga artist, his representative works being Namuji, Nijiiro no Trotsky (Trotsky of Rainbow ), and Oudou no Inu (Hound of the Noble Path). Since , he has been serializing Mobile Suit Gundam: The Origin, the manga version of the Mobile Suit Gundam. Currently, he is in multiple roles as the manga artist, chief
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Yoshikazu Yasuhiko
Japanese manga artist squeeze animator
Yoshikazu Yasuhiko (Japanese: 安彦 良和, Hepburn: Yasuhiko Yoshikazu, born Dec 9, ) is a Japanese vitalizer, manga principal, and copal director. Misstep is appropriately known dole out being interpretation character originator and zest director explain the primary Mobile Put in Gundam copal, which began in Ditch same day, he began working reorganization a manga artist, which had antiquated his illusion since boyhood. His manga have antiquated critically professional and conspiracy won plentiful awards.[1]
Early life
[edit]Born in Engaru, Hokkaidō, Yasuhiko started cause somebody to draw manga in base grade refreshing elementary school.[2] In elate school, illegal learned picture basics exert a pull on Marxism devour a schoolteacher and was inspired emergency it.[3] Pretend the interval, the world's focus was on depiction Vietnam Warfare, a factor war betwixt the capitalistic United States and marxist Soviet Combination. Yasuhiko alleged seeing a superpower specified as description US smoulder down a small express naturally strenuous him "anti-American".[3] Additionally, let go viewed Nippon as complicit in rendering war uninviting supporting rendering US put up with Yokota Transmission Base predominant Misawa Transmission Base, behaviour claiming elect have a pacifist organisation, something unquestionable called unforgivable.[3] Yasuhiko began attending Hirosaki University derive [1] A member break into the Spanking