All that jazz di bob fosse biography
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All That Jazz (film)
US musical drama film by Bob Fosse
All That Jazz is a American musicaldrama film directed by Bob Fosse. The final work of its sole producer Robert Alan Aurthur, who wrote the screenplay with Fosse and died the year before the release, it stars Roy Scheider as a versatile film and stage artist whose obsession with work and unhealthy habits cause to spiral into self-destruction.
The story is a semi-autobiographicalfantasy based on aspects of Fosse's life and career as a dancer, choreographer and filmmaker, notably inspired by his manic efforts to edit his film Lenny while simultaneously staging the BroadwaymusicalChicago, which he had co-written the book of and directed and choreographed the original production for; Scheider's character similarly attempts to stage an ambitious Broadway musical while supervising the editing of a film he directed and which, like Lenny, centers around a stand-up comedian. Jessica Lange, Ann Reinking, Leland Palmer, Cliff Gorman and Ben Vereen co-star in supporting roles. The film borrows its title from the song of the same name from Chicago.
All That Jazz was released on December 20, to commercial and critical success, being praised by critics for its creativity, ambition, choreography, and Scheider's per
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Rewind In Film: All Ditch Jazz
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Sweat, Art and Death: All That Jazz ()
The final number in A Chorus Line (like the final number of All That Jazz or similar moments in Follies) is a painfully ambivalent statement on whether the whole thing was worth it. Maybe, that ending seems to be implying, getting what we wanted is never as fulfilling as we thought, but it is the only thing we can do. "Bye Bye Life", gravitates around the same questions, although it's more emphatic and more ego-centered.
Something movingly conveyed in both numbers, clearly, is the choreographer's love for the dancers. It is a very special kind of love: father love, teacher love, there is admiration, there is pain, Fosse and Bennett looked at dancers and knew what they were doing, knew about their vulnerability, their joys, their commitment, their sense of inadequacy, their short professional lives. We tend to take for granted chorus dancers in a show as if their only function is to entertain us while we wait for a big emotional star moment. And it is moving that Fosse here (as Bennett on stage) is so intent in reminding us of everything dancing is all about.
From the opening number on, All That Jazz will seldom focus on dancers again, but the dialogue with A Chorus Line lingers. Ostensibly, the film is about Joe Gideon, not
Sweat, Art and Death: All That Jazz ()
The final number in A Chorus Line (like the final number of All That Jazz or similar moments in Follies) is a painfully ambivalent statement on whether the whole thing was worth it. Maybe, that ending seems to be implying, getting what we wanted is never as fulfilling as we thought, but it is the only thing we can do. "Bye Bye Life", gravitates around the same questions, although it's more emphatic and more ego-centered.
Something movingly conveyed in both numbers, clearly, is the choreographer's love for the dancers. It is a very special kind of love: father love, teacher love, there is admiration, there is pain, Fosse and Bennett looked at dancers and knew what they were doing, knew about their vulnerability, their joys, their commitment, their sense of inadequacy, their short professional lives. We tend to take for granted chorus dancers in a show as if their only function is to entertain us while we wait for a big emotional star moment. And it is moving that Fosse here (as Bennett on stage) is so intent in reminding us of everything dancing is all about.
From the opening number on, All That Jazz will seldom focus on dancers again, but the dialogue with A Chorus Line lingers. Ostensibly, the film is about Joe Gideon, not