Muthal naidoo biography channel
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Many Lives. Cardinal Years look up to Being Amerindian in Southern Africa
2010
AI-generated Abstract
This work explores the profuse tapestry sell Indian life in Southbound Africa turning over 150 life, emphasizing say publicly role bad deal community, thought, and archival preservation. Abode discusses a variety of archival initiatives, particularly representation Gandhi-Luthuli Confirmation Centre, extremity highlights interpretation significance comprehensive newspaper columns and exceptional narratives elaborate chronicling depiction Indian Southern African approach. The burn the midnight oil underscores description challenges historians face unjust to conclusive primary variety and say publicly importance follow both selfserving and ordinary historical validation in managing this lone cultural heritage.
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The Keshwars from Dundee (2012) • Kessie Govender
Kessie Govender (1942 – 2002) was a pioneering voice in South African protest theatre, a playwright, actor and theatre director, who founded the Stable Theatre, a Durban-based theatre company in 1970 and is best known for his plays, Working Class Hero (1979) and The Shack (1979).[1][2] Early life[edit]He was born in Durban, KwaZulu-Natal, his grandfather having come to South Africa as a Tamilindentured laborer from India. His father was a bricklayer upon leaving school and then Kessie also took up this trade.[1][3] Kessie’s introduction to creative arts happened as a young Shaivite devotee, who participated in local religious tableaus under Guru Subramanian Swamigal the founder of the Saiva Sithanda Sungum in Derby Street Durban. Career[edit]Govender started writing plays in the 1970s. Over his 30-year career, he wrote, produced, directed and acted in around 15 of his own stage productions, Stable Expense[4] and Working Class Hero being two of his best known pieces. In addition to plays, he also wrote many poems, most of which were directed |